Cosmetic Surgery Is Moving Toward Multiethnic Beauty Ideals Essay Example for Free

Cosmetic Surgery Is Moving Toward Multiethnic Beauty Ideals Essay The increasing number of nonwhites getting cosmetic surgery is helping society accelerate from a crawl to a full-bore sprint toward one truly melted, fusion community. In the following viewpoint, Anupreeta Das questions whether minorities go under the knife to look more Caucasian. She suggests that as ethnically ambiguous beauties emerge in entertainment and the media, many African American, Asian, and Latino cosmetic-surgery patients want changes that harmonize with their ethnic features. In fact, Das states more surgeons today are specializing in race-specific procedures. This blending and reducing of racial characteristics through cosmetic surgery allow minorities to fit in with beauty standards that are moving away from a Caucasian ideal, she claims. Das is a journalist based in Boston. As you read, consider the following questions: 1.As stated by Das, how do rhinoplasty procedures differ among Caucasians, African Americans, and Asian Americans? 2.Why did Jewish people embrace cosmetic surgery, according to the viewpoint? 3.According to Das, what do critics say about the increase of ethnic models in the fashion industry? For almost a century, the women who have turned to cosmetic surgery to achieve beauty—or some Hollywood-meets-Madison Avenue version of it—were of all ages, shapes, and sizes but almost always of one hue: white. But now, when there seems to be nothing that a few thousand dollars cant fix, women of color are clamoring in skyrocketing numbers to have their faces and bodies nipped, snipped, lifted, pulled, and tucked. This is a step forward, right? In the land of opportunity, we applaud when barriers break down and more people get to partake in the good life, as it were. There are many explanations for the new willingness of minorities to go under the knife: their swelling numbers and disposable income, the popularization of cosmetic surgery and its growing acceptance as a normal beauty routine,  and its relative affordability. Whats significant are the procedures minorities are choosing. More often than not, theyre electing to surgically narrow the span of their nostrils and perk up their noses or suture their eyelids to create an extra fold. Or theyre sucking out the fat from buttocks and hips that, for their race or ethnicity, are typically plump. It all could lead to one presumption: These women are making themselves look more white—or at least less ethnic. But perhaps not to the extent some suppose. People want to keep their ethnic identity, says Dr. Arthur Shektman, a Wellesley-based plastic surgeon. They want some change, but they dont really want a white nose on a black face. Shektman says not one of his minority patients—they make up about 30 percent of his practice, up from about 5 percent 10 years ago—has said, I want to look white. He believes this is evidence that the dominant Caucasian-centered idea of blond, blue-eyed beauty is giving way to multiple ethnic standards of beauty, with the likes of Halle Berry, Jennifer Lopez, and Lucy Liu as poster girls. No way is the answer Tamar Williams of Dorchester gives when asked if her desire to surgically reduce the width of her nose and get a perkier tip was influenced by a Caucasian standard. Why would I want to look white? Growing up, the 24-year-old African-American bank teller says, she longed for a nose that wasnt quite so wide or flat or big for her face. It wasnt that I didnt like it, Williams says. I just wanted to change it. Hoping to become a model, she thinks the nose job she got in November [2007] will bring her a lifetime of happiness and opportunity. I was always confident. But now I can show off my nose. Yet others are less convinced that the centuries-old fixation on Caucasian beauty—from the Mona Lisa to Pamela Anderson—has slackened. Im not ready to put to rest the idea that the white ideal has not permeated our psyches, says Janie Ward, a professor of Africana Studies at Simmons College. It is still shaping our expectations of what is beautiful. A Peculiar Fusion Whether or not the surging number of minority patients is influenced by a white standard, one point comes with little doubt: The $12.4 billion-a-year plastic surgery industry is adapting its techniques to meet this demand. The American Academy of Facial Plastic and Reconstructive Surgery (AAFPRS), for example, has in recent months held meetings on subjects ranging from Asian upper-eyelid surgery to so-called ethnic rhinoplasty. The discussion will come to Boston this summer [2007] when the academy will host a five-day event that will include sessions on nose reshaping techniques tailored to racial groups. And increasingly, plastic surgeons are wooing minorities—who make up one-third of the US population—by advertising specializations in race-specific surgeries and using a greater number of nonwhite faces on their Web sites. It could be that these new patients are not trying to erase the more obvious markers of their ethnic heritage or race, but simply to reduce them. In the process, theyre pursuing ethnic and racial ambiguity. Take Williams. With her new smaller nose and long, straight hair, the African-American woman seems to be toying with the idea of ambiguity. And maybe we shouldnt be surprised. The intermingling of ethnicities and races—via marriages, friendships, and other interactions—has created a peculiar fusion in this country. Its the great mishmash where Christmas and Hanukkah and Kwanzaa are celebrated in one long festive spirit, where weddings mix Hindi vows with a chuppah, where California-Vietnamese is a cuisine, where Eminem can be black and Beyonce can go blond. And the increasing number of nonwhites getting cosmetic surgery is helping society accelerate from a crawl to a full-bore sprint toward one truly melted, fusion community. There were 11.5 million cosmetic procedures done in 2005, including surgical ones such as face lifts and rhinoplasties and nonsurgical ones such as Botox shots and collagen injections. One out of every five patients was of African, Asian, or Hispanic descent (separate statistics arent available for white versus nonwhite Hispanics). According to the American Society for Aesthetic Plastic Surgery, the number of minority patients undergoing cosmetic procedures increased from 300,000 in 1997 to 2 million in 2005.  Although the total demand for cosmetic procedures also increased—from 2 million in 1997 to 11.5 million in 2005—the rate of increase for minorities is higher than the overall rate. (Women account for more than nine-tenths of all cosmetic procedures.) Different ethnic and racial groups favor different procedures. Statistics compiled by the AAFPRS show that in 2005, more than six out of every 10 African-Americans getting cosmetic surgery had nose jobs. Unlike rhinoplasties performed on Caucasians, which may fix a crooked bridge or shave off a hump, doctors say African-American and Asian-American nose reshaping usually leads to narrower nostrils, a higher bridge, and a pointier tip. For Asian-Americans, eyelid surgery—either the procedure to create an eyelid fold, often giving the eye a more wide-open appearance, or a regular eye lift to reduce signs of aging—is popular. According to the AAFPRS, 50 percent of Asian patients get eyelid surgery. Dr. Min Ahn, a Westborough-based plastic surgeon who performs Asian eyelid surgery, says only about half of the Asian population is born with some semblance of an eyelid crease. Even if Asians have a preexisting eyelid crease, it is lower and the eyelid is fuller. For those born without the crease, he says, creating the double eyelid is so much a part of the Asian culture right now. Its probable that this procedure is driving the Asian demand for eyelid surgeries. Breast augmentation and rhinoplasty top the list of preferred procedures for patients of Hispanic origin, followed by liposuction. Asian-Americans also choose breast implants, while breast reduction—the one procedure eligible for insurance coverage—is the third most preferred choice for African-American women after nose reshaping and liposuction. Doctors say African-American women typically use liposuction to remove excess fat from their buttocks and hips—two areas in which a disproportionate number of women of this race store fat. The Culture of Self-Improvement Of course, the assimilative nature of society in general has always demanded a certain degree of conformity and adaptation of every group that landed on American shores. People have adjusted in ways small and large—such as by changing their names and learning new social mores. Elizabeth Haiken, a San Francisco Bay area historian and the author of the 1997 book Venus Envy: A History of Cosmetic Surgery, says ethnic minorities may use plastic surgery as a way to fit in to the mainstream, just as another group used it in the early 20th century. The first group to really embrace cosmetic surgery was the Jews, says Haiken. Her research indicates that during the 1920s, when cosmetic surgery first became popular in the United States, being Jewish was equated with being ugly and un-American, and the Jewish nose was the first line of attack. Most rhinoplasties therefore sought to reduce its distinct characteristics and bring it more in line with the preferred straighter shape of the An glo-Saxon nose. That people would go to such extremes to change their appearance should come as no surprise. Going back to early 20th-century culture, there is a deep-seated conviction that you are what you look like, Haiken says. Its not your family, your birth, or your heritage, its all about you. And your looks and appearance and the way you present yourself will determine who you are. In the initial sizing-up, the face is the fortune. Physical beauty becomes enmeshed with success and happiness. Plastic surgeons commonly say that minorities today choose surgery for the same reasons as whites—to empower, better, and preserve themselves. Its the universal desire to maintain youthfulness, and it doesnt change from group to group, says Dr. Frank Fechner, a Worcester-based plastic surgeon. The culture of self-improvement that surrounds Americans has also made plastic surgery more permissible in recent years. Making oneself over—ones home, ones car, ones breasts—is now a part of the American life cycle, writes New York Times columnist Alex Kuczynski in her 2006 book, Beauty Junkies: Inside Our $15 Billion Obsession With Cosmetic Surgery. Doctors have sold us on the notion that surgery is merely part of the journey  toward enhancement, the beauty outside ultimately reflecting the beauty within. Nothing captures this journey better than the swarm of plastic surgery TV shows such as ABCs Extreme Makeover, Foxs The Swan, and FXs Nip/Tuck. These prime-time televised narratives of desperation and triumph, with the scalpel in the starring role of savior, have also helped make plastic surgery more widely accepted. Through sanitized, pain-free, 60-minute capsules showcasing the transformation of ordinary folks, reality TV has sold people on the notion that the C inderella story is a purchasable, everyday experience that everyone deserves. Mei-Ling Hester, a 43-year-old Taiwanese-American hairdresser on Newbury Street, believes in plastic surgery as a routine part of personal upkeep. So when her eyelids started to droop and lose their crease, she rushed to Ahn, the plastic surgeon. He sucked the excess fat out while maintaining, he says, the Asian characteristic of her eyelids. Hester also regularly gets Botox injected into her forehead and is considering liposuction. I feel great inside, she says. With hair tinted a rich brown and eyes without lines or puffiness, her beauty is groomed and serene. I work out, I eat right, I use good products on my face. It was worth it, she says of her surgery. Although Hester says she pursues plastic surgery for betterment and self-fulfillment, she recognizes her privileged status as someone born with the double eyelids and sharper nose so prized in much of the Asian community. I just got lucky, because if you look at my sister, shes got a flat nose. Another sister was born without th e eyelid crease and had it surgically created, says Hester. The concept of the double eyelid as beautiful comes from the West. For many, many years, the standards for beauty have been Western standards that say you have to have a certain shape to the eye, and the eyelid has to have a fold, says Dr. Ioannis Glavas, a facial plastic surgeon specializing in eyelid surgery, with practices in Cambridge, New York City, and Athens. Sometimes, the demand for bigger eyes can be extreme. Glavas recalls one young Asian-American woman he saw who, in addition to wanting a double eyelid procedure, asked him to snip off some of the bottom lid to expose more of the white. I had to say no to her, he says. Glavas says both Asian women and men demand the double eyelid surgery because it is a way of looking less different by reducing an obvious ethnic feature. Presumably, Asian patients arent aiming to look white by getting double eyelids (after all, African-Americans and other minorities have double eyelids), but the goal is social and cultural assimilation, or identification with some dominant aesthetic standard. Across-the-Board Appeal In recent years, the dominant aesthetic standard in American society has moved away from the blond, blue-eyed Caucasian woman to a more ethnically ambiguous type. Glossy magazines are devoting more pages to this melting-pot aesthetic, designed (like the new Barbies) for across-the-board appeal. Todays beautiful woman comes in many colors, from ivory to cappuccino to ebony. Her hair can be dark and kinky, and she might even show off a decidedly curvy derriere—a feature that has actually started to prompt some white women to get gluteal augmentation, or butt implants. However, critics say these are superficial changes to what is essentially a Caucasian-inspired ideal—the big-eyed, narrow-nosed, pillow-lipped, large-breasted, boyishly thin apparition. There has been a subtle change in the kind of models you see in Victorias Secret catalogs or Vogue, says Dr. Fred Stucker, the head of facial plastic surgery at Louisiana State University, Shreveport. But they take the black girl who has the high cheekbones, narrow nose, and pouty lips. Its not uncommon, he says, to find a white face with dark skin. Going by the recent surge of minorities demanding plastic surgery, it is plausible that this attempt by canny marketers and media types to promote a darker-skinned but still relatively uniform ideal is working. After all, they are simply following the money. According to the University of Georgias Selig Center for Economic Growth, which compiles an annual report on the multicultural economy in the United States, minorities had a combined buying power of several trillion dollars in 2006. In 2007, the  disposable income of Hispanics is expected to rise to $863 billion, while African-Americans will collectively have $847 billion to spend. By 2010, Asians are expected to have buying power totaling $579 billion. And all of these groups are showing a greater willingness to spend it on themselves and the things they covet, including cosmetic surgery. Katie Marcial represents exactly this kind of person. The 50-year-old African-American is newly single, holds a well-paying job in Boston, and has no qualms about spending between $10,000 and $20,000 on a tummy tuck and breast surgery. Im doing this mainly because Im economically able to do so, says Marcial, a Dorchester resident whose clear skin and youthful attire belie her age. With her three children all grown, her money is hers to spend. I can indulge in a little vanity, she says. Marcial says she chose a young, Asian-American doctor to perform her surgery because I thought she would know the latest techniques and be sensitive to ethnic skin. Historically, plastic surgery has been tailored to Caucasian women. Glavas says that in medical texts, the measurements of symmetry and balance—two widely recognized preconditions of beauty—were made with Caucasian faces in mind. Such practices led to a general sense among minorities that plastic surgery was for whites and kept them away from tinkering with their faces and bodies. But even as the industry now adapts to its new customers, plastic surgeons are divided over whether surgical specialization in various ethnicities and races necessarily caters better to the needs of minority patients. Dr. Julius Few, a plastic surgeon at Northwestern Universitys Feinberg School of Medicine, hails the fact that plastic surgeons are customizing their procedures to focus on minorities, so its not just the one-size-fits-all mentality of saying, well, if somebodys coming in, regardless, theyre going to look Northern European coming out. He even sees a sort of subspecialty emerging in various ethnic procedures. Meanwhile, Dr. Jeffrey Spiegel, who is chief of facial plastic and reconstructive surgery at Boston University Medical Center and has a large number of nonwhite patients, is skeptical of the notion of specialization in ethnic and racial cosmetic surgery. It strikes me more as a marketing tool  than a real specialization, he says. In 1991, Michael Jackson crooned It dont matter if youre black or white. Jacksons message about transcending race may have won singalong supporters, but his plastic surgeries did not. His repeated nose jobs and lightened skin color (he has maintained he is not bleaching but is using makeup to cover up the signs of vitiligo, a skin condition) were perceived by minorities—especially African-Americans—as an attempt to look white. Doctors say that Dont make me look like Michael Jackson is a popular refrain among patients. People were put off by dramatic surgeries and preferred subtle changes, says Shektman, the Wellesley-based plastic surgeon. The New Melting-Pot Aesthetic Choices have expanded since then. Minorities can now hold themselves up against more ethnically and racially ambiguous role models that may still trace their roots to the once-dominant Caucasian standard but are becoming more composite and blended. The concept of ideal beauty is moving toward a mix of ethnic features, says plastic surgeon Ahn, a Korean-American who is married to a Caucasian. And I think its better. The push toward ethnic and racial ambiguity should perhaps be expected, because the cultural churn in American society is producing it anyway. Sure, promoting ambiguous beauty is a strategic move on the part of marketing gurus to cover their bases and appeal to all groups. But its also a reflection of reality. Not only are minorities expected to make up about half the American population by 2050, but the number of racially mixed people is increasing tremendously. The number of mixed-race children has been growing enough since the 1970s that in 2000 the Census Bureau created a new section in which respondents could self-identify their race; nearly 7 million people (2.4 percent of the population) identified themselves as belonging to more than one race. For minorities, this new melting-pot beauty aesthetic—perhaps the only kind of aesthetic standard that befits a multiethnic and multicultural society—is  an achievable and justifiable goal. Increasingly, advertisements use models whose blue eyes and dreadlocked hair or almond-shaped eyes and strong cheekbones leave you wondering about their ethnic origins. The ambiguous model might have been dreamed up on a computer or picked from the street. But advertisers value her because she is a blended product—someone everyone can identify with because she cannot be immediately defined by race or ethnicity. By surgically blending or erasing the most telling ethnic or racial characteristics, cosmetic surgery makes ambiguity possible and allows people of various ethnicities and races to fit in. For the Jewish community in the 1920s, fitting in may have had to do with imitating a Caucasian beauty ideal. For minorities today, its a melting-pot beauty ideal that is uniquely A merican. How appropriate this ambiguity is, in a culture that expects conformity even as it celebrates diversity. Das, Anupreeta. Cosmetic Surgery Is Moving Toward Multiethnic Beauty Ideals. The Culture of Beauty. Ed. Roman Espejo. Detroit: Greenhaven Press, 2010. Opposing Viewpoints. Rpt. from The Search for Beautiful. Boston Globe 21 Jan. 2007. Opposing Viewpoints in Context. Web. 18 Feb. 2014. Document URL http://ic.galegroup.com/ic/ovic/ViewpointsDetailsPage/ViewpointsDetailsWindow?failOverType=query=prodId=OVICwindowstate=normalcontentModules=mode=viewdisplayGroupName=ViewpointsdviSelectedPage=limiter=currPage=disableHighlighting=displayGroups=sortBy=zid=search_within_results=p=OVICaction=ecatId=activityType=scanId=documentId=GALE%7CEJ3010659218source=Bookmarku=lawr16325jsid=8af464626ea9692fea0cb02ef9c121a3 Gale Document Number: GALE|EJ3010659218

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Microsoft Windows Millennium Edition This document provides complementary or late-breaking information to supplement the Microsoft(R) Windows(R) Millennium Edition (Windows Me) documentation. HOW TO USE THIS DOCUMENT To view Display.txt on-screen in Notepad, maximize the Notepad window. To print Display.txt, open it in Notepad or another word processor, and then on the File menu, click Print. -------- CONTENTS -------- WINDOWS UPDATE WINDOWS 95 UPGRADES WINDOWS 95 DRIVERS CONVERTED TO VGA ADAPTER TYPE MONITOR TYPE REFRESH RATES DISPLAY PROBLEMS DYNAMIC COLOR CHANGE ANIMATED CURSORS IRQ CONFLICTS WITH PCI DISPLAY ADAPTERS MULTIPLE DISPLAY SUPPORT =============== WINDOWS UPDATE =============== Microsoft regularly makes updated drivers available on the Internet through Windows Update. Windows Me also includes additional drivers in the Drivers directory on the Windows Me CD. To obtain additional or updated drivers, carry out the following steps: If you have an Internet connection: 1. Click Start, and then click Windows Update. 2. Follow the instructions on your screen. If you do not have an Internet connection: 1. Click Start, and then click Help. 2. In Windows Help, click the Index tab. 3. Type "Download Library", and then press Display. 4. Follow the instructions on your screen. Microsoft updates the Windows Driver Library on the Internet regularly with the newest drivers from third-party manufacturers. Microsoft tests these drivers for compatibility and then makes them available for download. Windows Update makes these drivers available automatically by detecting the hardware on your system and offering you only those drivers that are compatible with your system. =================== WINDOWS 95 UPGRADES =================== Windows Me upgrades all Microsoft-provided drivers from Windows 95 and DirectX releases. Windows Me also upgrades certain third- party Windows 95 drivers that might experience problems running in Windows Me. If your display card or system included display-specific utilities (for example, extra Display properties in Control Panel, refresh rate utilities, or color matching utilities), an upgrade to the provided Windows Me driver may cause the utilities not to work correctly. If Windows Me upgrades your display driver and your display-specific utilities are not working correctly, this is because the existing third-party Windows 95 driver is not compatible with Windows Me. Third-party display drivers and utilities are often very interdependent, so that if you remove one piece, you will break the other. The display drivers included with Windows Me are intended to be generic drivers that provide stable support for standard Windows APIs and features. Because each driver must support a number of different configurations, it is impossible to support every utility with one driver. Some features that formerly were included in third-party utilities have been integrated into Windows. If you still want the extra features

Let the Freewriting Flow Essay

Peter Elbow, author of the article â€Å"Freewriting† argues that using the technique freewriting is very beneficial for writers. Freewriting is nonstop writing without correcting or checking what you’ve already written. Elbow says writers should use this exercise at least three times a week to improve their writing skills. I strongly agree with his assessment from personal use of this technique. While writing my first freewrite I realized I was less stressed, I felt like the paper displayed my character more, and I was able to share all of my ideas without losing them. We are so caught up in trying to sound educated and proper in our writings it sometimes can take away from the actual piece. Writing while under stress often turns out in a disaster, usually why my pieces of writing aren’t always the best. Just like Elbow has said the reason people get so stressed while writing is because of how we are taught throughout school â€Å"schooling makes us obsessed wi th the â€Å"mistakes† we make in writing. Many people constantly think about spelling and grammar as they try to write. I am always thinking about the awkwardness, wordiness, and general mushiness of my natural verbal product as I try to write down words† (Elbow). This is completely true, the way we are taught in school adds a great deal of stress to the writer. At the beginning of every paper I’ve ever written for school I’ve always had stress because writing was never my strong suit to begin with and the requirements made it that much harder for me to develop a paper. Giving people such high standards for writing, yet telling them to make it their own is quite difficult for the writer because they are more worried about the structure rather than the actual content of the piece. People are also under stress while writing a paper because of who could be reading their piece, audience has a major impact on how a writer constructs their paper. With freewriting though you only have to worry about yourself reading over the paper so your ideas will flow easier onto the page because you a ren’t watching what your write in fear of offending someone. You are able to fully be yourself  throughout the piece. It’s difficult to incorporate character into your writing when you have to follow so many guidelines and worry about so many different things. Elbow states in his writing that you have a voice which is the main source of power in your writing, and unfortunately that â€Å"voice is damped out by all the interruptions, changes, and hesitations between the consciousness and the page† (Elbow). If we all had the same voice and then no ones writing would really be all that special. Freewriting helps the writer to find that voice because they are writing their exact ideas without anything interrupting them. Once they are done with the freewrite they are able to go back and fix it up a little but it will still be their voice and how they felt in the first place. Elbow makes a good point at the end of his piece saying that you only have one voice and you can’t give up on that voice no matter how much you may dislike it because without it you will never be heard, and your writing will never be your own. To me making the piece your own and to actually enjoy writing it is what writing should be about. Not the grammar mist akes, or how well it all flows. It should be about your thoughts and how you feel they should be expressed into a piece of writing. If writing is considered such a personal thing then we shouldn’t be so critiqued on every little thing throughout it. It’s happened more times than not when a writer loses an idea because they were too busy checking back on a previous one and trying to make it better. Using Elbow’s freewriting technique will ensure you to never lose an idea because as soon as it pops into your head you are able to write it down, even if it doesn’t exactly belong right there. Elbow also says that his technique stops the writer from editing their piece while writing allowing the ideas to flow more easily. I know from personal experience I lose ideas constantly because I’m worried about the previous paragraph, and if it was really good enough. When I wrote my freewrite I did not lose any ideas, I was able to get exactly what I wanted to say into that piece of writing and in the end if I wanted to I was able to go back and expand on them. Peter Elbow, author of the arti cle â€Å"Freewriting† has helped me be able to form a more well developed piece of writing through his technique, freewriting. This exercise has helped me stay calmer while I write my paper and helps me to not worry about what I’m writing the entire time. I benefit from Elbow’s technique this because once all of my ideas are out on paper I am able to go back and  form them into well-developed paragraphs just like I am required to do. The requirements from professors, bosses or whoever the audience may be will prevent someone from writing the best they can and making a piece their own because they are too worried about what the audience will think of it or if it’s good enough for their standards. For anyone who has trouble with forming ideas, or gets too caught up in the editing part of the paper while still writing should try out Elbow’s exercise freewriting and they may be surprised at how well it works and how much it may help them. I know I sure was shocked at how much it helped me especially after being a little uneasy about it at first I was pleasantly surprised. The freewriting exercise is what helped me develop this paper. I sat down for about an hour and was able to get all of my ideas down with no worries about grammar errors, or my audience, all I focused on was my ideas and what I thought was best to say in this paper. After I had finished it I went back and turned the freewrite into this piece. Since it worked so well for me I will now use freewriting before I start any of my papers in the future. Citation: Elbow, Peter. â€Å"Freewriting.† Freewriting. Center for Learning, Teaching, Communication, and Research, n.d. Web. 28 Sept. 2014. .

An Analysis of “The Ways of Meeting Oppression”...

An Analysis of ?The Ways of Meeting Oppression? Martin Luther King Jr. during the Civil Rights movement brought about many different views on how one?s oppression should be handled in America. ?The Ways of Meeting Oppression,? by Martin Luther King Jr., is based on how people handle oppression. According to Dr. King there?s a whole spectrum that ranges from violence to non-violence action in which the views are placed. Martin Luther King Jr. illustrates strategically how oppressed people deal with the three types of oppression, which are: acquiescence, violence, and non violence resistance. Dr. King strategically breaks down and characterizes acquiescence as a form of dealing with oppression. Through his analysis, King explains how people†¦show more content†¦?The Ways Of Meeting Oppression,? by Martin Luther king Jr., gives an over view of how one man classifies his ways of dealing with oppression and how they were dealt with during segregation. . During the first half of the twentieth century segregation was the way of life in the south. It was excepted, and even though it was morally wrong, it still went on, as it there was nothing wrong with it. African Americans were treated as if they where a somehow sub-human, they were treated because of the color of their skin that somehow, someway they were different. Some African Americans began to ?tacitly adjust themselves to oppression?(King), or as King saw it acquiescence. Others began to stand up for themselves but in a matter that involved violence. There where those that stood up for themselves by using nonvi olence resistance which was Dr. King?s ideal method of dealing with oppression. ?Nonviolence is the answer to the racial, political and moral question. . .the need for man to overcome oppression and violence. . .?(King). This captures both Dr. King?s powerful feeling and stance on nonviolence as the way to winning the respect of the oppressors. 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The blues depict the â€Å"secular† dimension of black experience. They are â€Å"worldly† songs which tell us about love and sex, tragedy in interpersonal relationships, death, travel, loneliness, etc. The blues are about black life and the sheer earth and gut capacity to survive in an extreme situation of oppression. To talkRead MoreWhat Did The Assassination Of John. F Kennedy Affect The Civil Right Movement?2205 Words   |  9 PagesKennedy affect the civil right movement?† The years from 1963-1964 will be the focus of this investigation, to allow for the analysis from the year of Kennedy’s assassination and to the end of the civil rights movement. This investigation will mainly focus on Lyndon B. Johnson participation during the civil rights movement but also other outside factors. This includes Martin Luther King. Lyndon Johnson and the Great Society and Legacies of the 1964 Civil Rights Act are the two main sources used. The firstRead MoreNonviolent Resistance And Nonviolent Action2197 Words   |  9 Pagesand intervention in which the actionists, without employing physical violence, refuse to do certain things which they are expected, or required to do; or do certain things which they are not expected, or are forbidden to do.† In other words, it is a way of opposition or the practice of achieving goals without the use of violence. Nonviolent action encompasses a large arrays of phenomena: nonviolent resistance, satyagraha, passive resistance, symbolic protests, economic or political noncooperation,Read MoreThe Best Theology Would Need No Advocates1963 Words   |  8 Pagesitself.† Karl Barth can be characterized as one of the greatest influential protestant theologians of the twentieth century. Barth shed new light on Protestant theology and fundamentally reshaped it, facing numerous altercations and challenges along the way. However, Barth’s past was preeminent, as it acted as a foundation for his impending theological methods to come. Karl Barth was born on May 10th, 1886 in Basel Switzerland. Barth was the son of Fritz Barth, and Anna Katharina Barth. Barth spent